Time for the end of the year lists. Again, there's not a lot of crossover between the actual music critics and what I like. That's what happens I guess when you become a jaded old man who only likes the music he listened to when he was a kid. Today, 20-16 on the Top Albums of the Year list.

20. Brendan Kelly & Joe McMahon - Wasted Potential
Fun for the fans of The Lawrence Arms and Smoke or Fire, the acoustic songs on this album are sloppy and imperfect, but that makes them different enough from their regular versions that this is actually a worthwhile addition to their catalogs. Brendan’s version of Kiss the Bottle is so vastly different (and arguably better) than any other version I’ve heard that it almost sounds like a completely different song.

19. Big Boi - Sir Lucious Leftfoot: The Son of Chico Dusty
My token rap album for the year. This doesn’t get bogged down in the usual mainstream rap tropes (bragging, sex, money, etc). Big Boi is handy with a quick turn of phrase, the beats are fun, and the intensity keeps up throughout, making this a quick hour-long listen.

18. Corin Tucker Band - 1000 Years
I absolutely loved The Woods, the last album before Sleater-Kinney broke up. 1000 Years, from SK’s lead singer, could have been a slightly less noisy continuation of that band, and indeed some songs sound like SK B-sides. What’s much more interesting, and better, are the songs that sound nothing like SK. This album’s biggest strength is its diversity. It moves from balls-out rockers to quiet piano ballads while retaining a solid core, and shows sides of Corin Tucker that I don’t think we’ve ever seen before.

17. Ted Leo - The Brutalist Bricks
For my money, the best opening to an album this year is Ted Leo shouting “When the cafe doors exploded, I reacted too, reacted to you.” Teddy’s always been able to open and close an album. Where Living with the Living was bloated and unfocused, The Brutalist Bricks is completely honed in on rocking you to death. You won’t find any ill-advised reggae songs here, just raw energy. Unfortunately, all that energy created a somewhat one-note album, with the best songs being the ones that deviate from the norm - Bottled in Cork, Bartolomeo and the Buzzing of Bees, etc.

16. Sufjan Stevens - Age of Adz
Sufjan really went off the reservation in the years since Illinois came out. He lost faith in “the song,” wrote an orchestral piece about the Brooklyn-Queens Expressway, and generally was a weirdo. The Age of Adz is then even more sprawling than his older albums. He’s embraced the electro-pop that is so popular right now, but he bends it in ways infinitely more interesting than most of his peers. The problem is, he’s so concerned with experimenting with sounds and song forms that the songs often get lost. It’s a very dense album, much easier to admire than to like, although after a few listens some of the greatness of old Sufjan shines through. Futile Devices, the first track, is almost tear-inducingly beautiful. It’s the strongest track on the album, and also the most reminiscent of the older albums. Coincidence?